Fabric of urban space approach is based on the city's social activities and lifestyles, from the assembly, commercial, office, residential, leisure, cultural facilities, work area components, with separate organizations into a network of road traffic pattern, the spatial extent of the city from urban planning and construction of development, although the dynamic but still can be defined. Bronze sculpture in the city means the construction of urban space within the bronze sculpture, a unique urban space environment factors, squares, parks, road junction, street, casual living environment for the formation of flat space, to building walls, roads, retaining wall the formation of structures such as the facade space, two large space type composition. Among the techniques of the bronze sculpture, the gilt is the most widespread. Urban culture is the city's values, accumulated in a form and way of life made in human society from a variety of cultural activities in the leading role in urban bronze statue from the city's macro-care ideals of life and lifestyle.
The formation of the urban form of human history derived from a unique urban culture, which is reflected in the natural sciences, social sciences, humanities and arts, religion, customs and commercial exchange among the many aspects of cultural heritage. This craft of the chinese bronze sculpture has sprouted early in the Spring and Autumn era. Particular form of modern urban life great strides to promote the modernization process of human culture. All the cultural needs of the contemporary generation of the corresponding results, almost all features associated with the city. China to increase from the current intensity of urban development, cities and the role of cultural influences is still expanding. It is an art form beyond time and space to carry the history of human civilization, the city information, so the city constitute a china bronze sculpture of urban culture will not be missing an integral part of urban culture in turn bronze sculpture will become the main framework of the city and ideas the soul.
Bronze sculpture features the city's aesthetic is classical, modern and contemporary art of the development stage to the three standards of beauty and aesthetics of the city to build buildings, roads, squares, bridges and cultivate into the trees, green space and other environmental factors as materials determined. The founding of the bronze sculpture in the Cheng Bridge of Liuhe, Jiangsu consist some residual pieces carved with line carving like the human, trees and animals. Classical art forms in general has the natural attributes of the United States, emphasizing the elegance and harmony, focusing on the performance arts and crafts, social productive forces in agriculture, processing tools, materials, manufacturing technology and ritual, ceremonial, religious and other lifestyle decisions, practical and realistic aesthetic significance . To create modern art celebrate the human spirit, the pursuit of grand narrative, fast-paced, high-tech and new materials to build the modern city of fast, noisy, exaggerated and stalwart.
Artistic use of more advanced materials and processing methods, emphasis on the material and form of praise, simple decorative style gradually, emphasizing independent, influential, modernist urban form new totem. By the Warring States Period, this craft has developed into a certain degree and mostly carved on the china bronze sculpture. Reflection of contemporary classical and modern art in the spirit of the situation, the re-integration, removing the tedious and Johnson classical ornaments, discard spell modernist rigidity and apathy, between man and nature live in harmony, respect for history and civilization of the accumulation value, from the position of human nature to question the classical and modern processing techniques and tools to change dramatically, more free and diverse. In casual, and free disposal reflect the harmony between man and nature.
Wednesday, May 30, 2012
Sunday, May 27, 2012
Bronze sculpture is the people's hearts do not reflect it
Holy Family Church under construction as natural growth from the ground up, as there is life, there are angry, and changing. Sitting in the Holy Family Cathedral, just like in a big forest, who were drawn from the natural form of creation, in addition to and captivating in the whole momentum generated shake, its casual sophistication and detail of the Department, there are always people endless treasures hidden them the feeling. There were three bronze sculpture in the shop. Gaudi's architecture is so full of morphology and artistic charm, so that his paintings and bronze sculptures of the building have had a significant impact. With the development of China's urbanization process, environmental bronze sculpture will accomplish much. From the current status quo, bronze sculpture circle of the rack and environmental differences between the bronze sculpture, shelves and even that is "art", the environment is a bronze sculpture "live line".
This understanding there is definitely a problem. Shelves bronze statue and bronze sculptures of the distinction between the environment, but research on the differences, does not mean that the level of artistic level, from the perspective of public art, they should be open to the public to communicate with the public, to convey social thought, with the public nature of art. Environmental requirements bronze sculptor bronze sculpture by the issue of environmental issues into the room, so need to bronze sculptor with a broader field of vision needs to bronze sculpture and urban planning, architecture, landscape, landscape as well as public administration and other fields cross integration. The customer asked the owner, “How come this chinese bronze sculpture is $5,000?” American landscape artists Isamu Noguchi was a bronze sculpture by the artist landscape design into the room, he proposed "space bronze sculpture" concept for our understanding of environmental bronze sculpture is meaningful.
He said: "I will garden as a 'space of the bronze sculpture, which is another sense of the experience and the use of china bronze sculpture, bronze sculpture is beyond the individual shape of the entire space." That’s so expensive for this kind of bronze sculpture. "In the traditional Japanese garden , the spread of the stones is understood as the earth's bulge - which is why I say the whole garden is a bronze sculpture, which is a bronze sculpture rooted in the earth - in the end I often confused on how to bronze sculpture a definition. Bronze sculpture is the people's hearts do not reflect it? "These words give us double recognize, first, to garden, landscape, represented by the environmental art, although beyond the bronze sculpture, but as a space of art, still bronze sculpture of the concept can be used to logistics.
The other hand, whether it is gardening, landscape and other major environmental art, or a single entity works, the artist should be a reflection of feelings from the heart, need to put all of the wisdom of the artist and personalized creation. Modern urban space is abundant, the public's aesthetic requirements are diverse, and thus the creation of environmental concepts and bronze sculpture techniques are bound to be diverse. So the customer asked him, “How about this bronze sculpture?” Post-modern ecological thinking and traditional Chinese aesthetics, emphasizing the natural sense of the importance of creativity in the arts, how to promote the natural sense of depth to the environment to the creation of bronze sculpture, china bronze sculpture also need to practice to prove.
This understanding there is definitely a problem. Shelves bronze statue and bronze sculptures of the distinction between the environment, but research on the differences, does not mean that the level of artistic level, from the perspective of public art, they should be open to the public to communicate with the public, to convey social thought, with the public nature of art. Environmental requirements bronze sculptor bronze sculpture by the issue of environmental issues into the room, so need to bronze sculptor with a broader field of vision needs to bronze sculpture and urban planning, architecture, landscape, landscape as well as public administration and other fields cross integration. The customer asked the owner, “How come this chinese bronze sculpture is $5,000?” American landscape artists Isamu Noguchi was a bronze sculpture by the artist landscape design into the room, he proposed "space bronze sculpture" concept for our understanding of environmental bronze sculpture is meaningful.
He said: "I will garden as a 'space of the bronze sculpture, which is another sense of the experience and the use of china bronze sculpture, bronze sculpture is beyond the individual shape of the entire space." That’s so expensive for this kind of bronze sculpture. "In the traditional Japanese garden , the spread of the stones is understood as the earth's bulge - which is why I say the whole garden is a bronze sculpture, which is a bronze sculpture rooted in the earth - in the end I often confused on how to bronze sculpture a definition. Bronze sculpture is the people's hearts do not reflect it? "These words give us double recognize, first, to garden, landscape, represented by the environmental art, although beyond the bronze sculpture, but as a space of art, still bronze sculpture of the concept can be used to logistics.
The other hand, whether it is gardening, landscape and other major environmental art, or a single entity works, the artist should be a reflection of feelings from the heart, need to put all of the wisdom of the artist and personalized creation. Modern urban space is abundant, the public's aesthetic requirements are diverse, and thus the creation of environmental concepts and bronze sculpture techniques are bound to be diverse. So the customer asked him, “How about this bronze sculpture?” Post-modern ecological thinking and traditional Chinese aesthetics, emphasizing the natural sense of the importance of creativity in the arts, how to promote the natural sense of depth to the environment to the creation of bronze sculpture, china bronze sculpture also need to practice to prove.
Friday, May 11, 2012
What Should One Note in the Selection of the bronze?
Often hear people say that steel is the soul of bronze tool, but friends generally play the bronze knife, if not mechanical majors in college, when the nature of the features mentioned bronze blade steel or heat, most easily confusing source is the meaning of some of the mechanical properties, such as bronze blade strength, hardness or toughness, this article will first give Members a brief introduction to the basic definition of the strength of the mechanical properties and physical meaning. Especially the animal patterns on the bronze like the fantasy animals are unique and particular. As for the mechanical properties of hardness, toughness and other mechanical properties practical application in the choice of bronze tool will be introduced in the follow-up article for you.
First of all, tell you to talk about the strength of steel, the strength of the special nature of a material, the test materials into rod-shaped or plate tensile test bar (see Figure 1) to the tensile test machine (Figure 2) to the tensile test, by the elongation of the test shots and suffered loads (tensile strength) mapping the load - elongation diagram (c) or stress - strain diagram (Figure , e), from the stress - strain diagram, to quantify the definition of the strength of the material. Different materials tensile test diagram (above medium carbon steel, the bottom of copper or aluminum. Figure 5 non-ferrous metals, engineering stress-strain and true stress-strain diagram. These decorations were seen as representatives of bronzeof China.
Before actually entering the definition of intensity should talk to introduce two terms: the stress and strain. The stress is suffered by the test rod force (or load) in addition to its cross-sectional area ratio, that of F / Ao, if the F is the pressure, then on a similar pressure values we learned in physics class. Taotie motif, also known as animal mask common on the bronze, is the most common and also the most representative one. The definition of stress, the load was divided by cross-sectional area, with the aim to remove the impact of material the size of its can bear the force. For example, the same steel products such as hair thickness, can the power of the load may be less than one kilogram; but if its diameter into a 10 cm thick, then it can withstand the force of more than 10 tonnes.
But they are the same material, its intensity should be the same, so as to remove the impact of the volume of material, the definition of the load divided by the material of the cross-sectional area for the stress, it is independent of stress and material. Similar situation, the project will be material force elongation (d) Subject to its original length (Lo) is called the strain value (d / Lo), to remove the material the length of the deformation. Stress and strain of these two terms will be our follow-up discussion of a number of important related, we try to understand. The basic shape of the taotie engraved on the bronze is a frontal ferocious and terrible monster.
For general metal test rod in the process of stretching the length change is like a spring force tensile test rods first will produce elastic deformation, the test rod to comply with Hooke's theorem (F = the KX) , that is suffered by the force (F) and its elongation is proportional to (X) (K is the spring coefficient of elasticity). Therefore, the corresponding stress-strain diagram, this section area was a straight line linear, the slope of this straight line we call the Young's modulus or modulus of elasticity E value (E), its value represents the elastic deformation of the material by the force degree of difficulty, to be simple, similar is the spring K value, the spring K value the greater the elasticity the greater. As a cultural product of imagination, the prototype of the bronze is not easy to verify.
First of all, tell you to talk about the strength of steel, the strength of the special nature of a material, the test materials into rod-shaped or plate tensile test bar (see Figure 1) to the tensile test machine (Figure 2) to the tensile test, by the elongation of the test shots and suffered loads (tensile strength) mapping the load - elongation diagram (c) or stress - strain diagram (Figure , e), from the stress - strain diagram, to quantify the definition of the strength of the material. Different materials tensile test diagram (above medium carbon steel, the bottom of copper or aluminum. Figure 5 non-ferrous metals, engineering stress-strain and true stress-strain diagram. These decorations were seen as representatives of bronzeof China.
Before actually entering the definition of intensity should talk to introduce two terms: the stress and strain. The stress is suffered by the test rod force (or load) in addition to its cross-sectional area ratio, that of F / Ao, if the F is the pressure, then on a similar pressure values we learned in physics class. Taotie motif, also known as animal mask common on the bronze, is the most common and also the most representative one. The definition of stress, the load was divided by cross-sectional area, with the aim to remove the impact of material the size of its can bear the force. For example, the same steel products such as hair thickness, can the power of the load may be less than one kilogram; but if its diameter into a 10 cm thick, then it can withstand the force of more than 10 tonnes.
But they are the same material, its intensity should be the same, so as to remove the impact of the volume of material, the definition of the load divided by the material of the cross-sectional area for the stress, it is independent of stress and material. Similar situation, the project will be material force elongation (d) Subject to its original length (Lo) is called the strain value (d / Lo), to remove the material the length of the deformation. Stress and strain of these two terms will be our follow-up discussion of a number of important related, we try to understand. The basic shape of the taotie engraved on the bronze is a frontal ferocious and terrible monster.
For general metal test rod in the process of stretching the length change is like a spring force tensile test rods first will produce elastic deformation, the test rod to comply with Hooke's theorem (F = the KX) , that is suffered by the force (F) and its elongation is proportional to (X) (K is the spring coefficient of elasticity). Therefore, the corresponding stress-strain diagram, this section area was a straight line linear, the slope of this straight line we call the Young's modulus or modulus of elasticity E value (E), its value represents the elastic deformation of the material by the force degree of difficulty, to be simple, similar is the spring K value, the spring K value the greater the elasticity the greater. As a cultural product of imagination, the prototype of the bronze is not easy to verify.
Thursday, May 10, 2012
One bronze Shapes Like Mushrooms
Mao Yuan instrument" Wu Bei Zhi "Volume 104" equipment again three mentioned this bronze Jianpu: "The Master said, Mao: the ancient words of soldiers must be words bronze sword, this is not used for array to become null and void to pass Bo I found overseas may only its style more can not slow men. Heritage Bronze Sword, two kinds of "Military" charts. "Obviously, in opinion the instrument of Mao Yuan, including the Emperor's bronze swordsman thousands, including China's ancient bronze sword skills have Shi bronze sword fighting hands of bronze sword, not later "had to look at the battle useless" generally bronze sword. There is one bronze shapes like mushrooms or birds. What he called "off the incomplete verses" and "verses" should Korea potential method with income, Wubei bronze jianjue song, "which is from Tang Jingchuan" Wu to China and also the earliest extant a "bronze jianjue".
Code "in transcribing, and now can not according to the formula drill, but has important research value. It is clear, Mao, believes that the bronze sword has been lost in the Ming Dynasty. This understanding of the Mao Yuan instrument is basically in line with historical facts. Ancient bronze sword has been lost in the Ming Dynasty, is not the opinion of Mao Yuan-yi, but was the consensus of many people, including Chi. "Ji Xiao Xin Shu Qi did not charge the bronze sword, nor even included a knife, which is equal to that of his attitude. In this regard, we also like to address later. In Ming He Liangchen in its array of mind technical The belly of the bronze has two types of a straight glass or puff-like. "has clearly pointed out:" the army of various skills, the only knife bronze sword pass less. Song Mao Teng "the flute set" Volume 2 "Qian bronze sword-making sequence "goes:" the cover I travel Chang'an, and England six weeks 1000 the Hou pay quite well, thousands of Hou Chang Wei Yu, healing does not pass.
Said bronze sword, said pit method, said thrush. pit France is too atrocious, and thrush are indeed manly are gentleman Road bronze sword alone unfortunately does not pass, so that Jesus Christ holds solitary Zhong, Huai Yin filial piety, sewing Motherly Love by, unable to diarrhea Genuine to yin and yang sun and the moon, repeated thin corrosion and not have been, the gentleman can not without regret Yan. Some of the bronze are flat plain and some decorated with a beast. "Mao Yuan instrument known as the" North Korean situation this bronze Jianpu, no doubt from the hands of the martial arts of the home of a Chinese Anonymous, not only Mao's This was confirmed by the preamble, and the bronze Jianpu many of the features is enough to prove. We should be deeply grateful to the ancient Korean martial arts have saved for our supreme treasures of this is difficult to see in the era of Mao Yuan instrument.
Its findings to prove that the ancient hands of Chinese bronze sword has spread to Korea, it also proves that this bronze sword there may be hanging by a thread a camel to save the folk, but the official ignore. This of course is unthinkable, but in the feudal bureaucracy, but also not surprising. It should be noted that due to the defect the bronze Jianpu structure, the era of the diaphragm in the text terms, today we are trying to gain a thorough interpretation this bronze Jianpu, is not an easy thing, which requires specialized work hard to do. Limited to the length of this article, only a little to do introduction. The bottom of the bronze can be divided into flat and round.
Code "in transcribing, and now can not according to the formula drill, but has important research value. It is clear, Mao, believes that the bronze sword has been lost in the Ming Dynasty. This understanding of the Mao Yuan instrument is basically in line with historical facts. Ancient bronze sword has been lost in the Ming Dynasty, is not the opinion of Mao Yuan-yi, but was the consensus of many people, including Chi. "Ji Xiao Xin Shu Qi did not charge the bronze sword, nor even included a knife, which is equal to that of his attitude. In this regard, we also like to address later. In Ming He Liangchen in its array of mind technical The belly of the bronze has two types of a straight glass or puff-like. "has clearly pointed out:" the army of various skills, the only knife bronze sword pass less. Song Mao Teng "the flute set" Volume 2 "Qian bronze sword-making sequence "goes:" the cover I travel Chang'an, and England six weeks 1000 the Hou pay quite well, thousands of Hou Chang Wei Yu, healing does not pass.
Said bronze sword, said pit method, said thrush. pit France is too atrocious, and thrush are indeed manly are gentleman Road bronze sword alone unfortunately does not pass, so that Jesus Christ holds solitary Zhong, Huai Yin filial piety, sewing Motherly Love by, unable to diarrhea Genuine to yin and yang sun and the moon, repeated thin corrosion and not have been, the gentleman can not without regret Yan. Some of the bronze are flat plain and some decorated with a beast. "Mao Yuan instrument known as the" North Korean situation this bronze Jianpu, no doubt from the hands of the martial arts of the home of a Chinese Anonymous, not only Mao's This was confirmed by the preamble, and the bronze Jianpu many of the features is enough to prove. We should be deeply grateful to the ancient Korean martial arts have saved for our supreme treasures of this is difficult to see in the era of Mao Yuan instrument.
Its findings to prove that the ancient hands of Chinese bronze sword has spread to Korea, it also proves that this bronze sword there may be hanging by a thread a camel to save the folk, but the official ignore. This of course is unthinkable, but in the feudal bureaucracy, but also not surprising. It should be noted that due to the defect the bronze Jianpu structure, the era of the diaphragm in the text terms, today we are trying to gain a thorough interpretation this bronze Jianpu, is not an easy thing, which requires specialized work hard to do. Limited to the length of this article, only a little to do introduction. The bottom of the bronze can be divided into flat and round.
Wednesday, May 9, 2012
Put the bronze Together
Lu Xun put these materials together, to complete this novel. That is to say, cast bronze sword "in Lu Xun, the contents of the legend has been transformed. We can control the novel "Cast Bronze Sword" and "Immortals", recorded in the column Yi Zhuan. In ancient time, war and bronzewere two significant events of a nation. Control up to see a little different: the success of go-getters cast bronze sword was the King of Chu killing the episode in the novel is empty, as not so real, Gan Jiang's wife, Moye, ie eyebrow The ruler's mother traced back the memories of such a tone to write. Gan, Moye these names did not appear, the King does not say is the King of Chu, these are not specifically explain, but to a distant, just as a background, the mother of Meijianchi repeat, novels and legends some separation. This is the first difference of the novel and the original story.
The second difference is in the process of revenge, the original main emphasis Gan, the the Moye son Meijianchi parent revenge, he is the protagonist of revenge. However, Lu Xun's novel, the protagonist of Revenge of the One is called the feast of the Ao black people, Meijianchi has been downgraded to the second main character. All these similar affairs would not do without the bronze. Black first appearance it is very general, is very sophisticated, mature a gallant scholar. In the novel, Meijianchi encountered a wizened face juvenile, he was a juvenile grasp and hold that the pubic region Meijianchi crashed and told him to compensation. Being entangled, the feast of Ao played.
Only very simple an action, and gently wave the withered face juvenile chin, two eyes stared at him, to see some rogue gas shriveled face juvenile afraid to know that things do not, they turned leave the territory. Feast of Ao an appearance of action, that he is a simple figure, able, alert and calm shows. Argument often heard is the relationship between form and content. bronze itself, first and foremost is a valuable asset. The third point of difference of the novel with the original legend, the black people of Lu Xun shape of this mysterious and strange, the voice was talking owl, shot eyes like wildfire, temperament revealed an severe cold breath. Black person on behalf of Meijianchi revenge to the tyrant, not only do not plan any reward, and even their lives should take into This mentality from the outset to be accountable. We can read a conversation Meijianchi and black people:
"But why do you give me to take revenge? You know my father?" Meijianchi asked him. The black man replied: "I've always know your father, but also like to know like you, but I want revenge, but does not this end. Clever boy, to tell you to stop. You do not know how to be good at revenge. (Qiu) is my (Qiu); he (referring to Meijianchi father) is there is so much hurt, I added to my soul (my soul inside has received many injuries, some people harm, but also some of my own hurt), I have abhorred my own! " When at war, the bronze can be used to cast weapons.
He is not particularly valued, means that he began to take on the revenge of the mission, ready to sacrifice themselves, but also means that he has a hot cold personality. Ancient Chinese warrior, can be divided into two types: one is employed by the warrior, they employed a dedicated, long-term care a lot like the Warring States period, the four the son Mengchang Xinling disabilities. These "persons" usually suffered by the owner of the variety of grace, and last, the main people to do everything, including the expense of their own. The so-called "who has been known to die," is one such situation. In the ritual ceremony, it will be used as sacrificial bronze. This is a kind of paladin, his master is a person, to contribute to the grief of a master. In addition there is a class of paladin, so-called "commoner Man", they do not raise others. Them has its own independent identity.
The second difference is in the process of revenge, the original main emphasis Gan, the the Moye son Meijianchi parent revenge, he is the protagonist of revenge. However, Lu Xun's novel, the protagonist of Revenge of the One is called the feast of the Ao black people, Meijianchi has been downgraded to the second main character. All these similar affairs would not do without the bronze. Black first appearance it is very general, is very sophisticated, mature a gallant scholar. In the novel, Meijianchi encountered a wizened face juvenile, he was a juvenile grasp and hold that the pubic region Meijianchi crashed and told him to compensation. Being entangled, the feast of Ao played.
Only very simple an action, and gently wave the withered face juvenile chin, two eyes stared at him, to see some rogue gas shriveled face juvenile afraid to know that things do not, they turned leave the territory. Feast of Ao an appearance of action, that he is a simple figure, able, alert and calm shows. Argument often heard is the relationship between form and content. bronze itself, first and foremost is a valuable asset. The third point of difference of the novel with the original legend, the black people of Lu Xun shape of this mysterious and strange, the voice was talking owl, shot eyes like wildfire, temperament revealed an severe cold breath. Black person on behalf of Meijianchi revenge to the tyrant, not only do not plan any reward, and even their lives should take into This mentality from the outset to be accountable. We can read a conversation Meijianchi and black people:
"But why do you give me to take revenge? You know my father?" Meijianchi asked him. The black man replied: "I've always know your father, but also like to know like you, but I want revenge, but does not this end. Clever boy, to tell you to stop. You do not know how to be good at revenge. (Qiu) is my (Qiu); he (referring to Meijianchi father) is there is so much hurt, I added to my soul (my soul inside has received many injuries, some people harm, but also some of my own hurt), I have abhorred my own! " When at war, the bronze can be used to cast weapons.
He is not particularly valued, means that he began to take on the revenge of the mission, ready to sacrifice themselves, but also means that he has a hot cold personality. Ancient Chinese warrior, can be divided into two types: one is employed by the warrior, they employed a dedicated, long-term care a lot like the Warring States period, the four the son Mengchang Xinling disabilities. These "persons" usually suffered by the owner of the variety of grace, and last, the main people to do everything, including the expense of their own. The so-called "who has been known to die," is one such situation. In the ritual ceremony, it will be used as sacrificial bronze. This is a kind of paladin, his master is a person, to contribute to the grief of a master. In addition there is a class of paladin, so-called "commoner Man", they do not raise others. Them has its own independent identity.
Tuesday, May 8, 2012
A Biographical Essay Presenting in the bronze
Thus caused by physical changes to make her sink deeper and deeper all the readers I hope the two sides were able to tie the knot, but the reality is cruel, always virtual exchanges can not believe, Qilu ultimately failed to reach his parents' wishes. Very realistic, but it is really regrettable. Third, the symbol of the article the most characteristic is the interpretation of the title, Po bronze sword was hit with an ancient assassin of evolution to become a tool of female revenge men, the visible into the invisible, the concrete into the abstract, indeed for this article one of the highlights. Also cleverly borrowed the classic statement of the spent word famous Kunqu name section indirectly for the hero expresses the unspeakable content, especially the Rebecca tease description with these discourse more flavor deep. The other day, the earliest bronze ding in the archaeological discoveries is the ding in the early Shang unearthed in the Erlitou site of Yanshi, Henan province.
Fourth, the article on the order of arrangement of the two suspense are intertwined, patchwork, to tempt the appetite, provide a good example is the fuss about. In short, the whole article seems bizarre, away from our more distant, but which pointed out that the social reality of the existence of, for example: Kao Bo, PubMed encountered unspoken rules; university employment mechanism, there is a big loophole, so that some people take advantage of; female intellectuals insufficient attention to long-term drawbacks of education system, creating numerous moral and can not be both "abnormal talent"; social atmosphere of the vulgar faith barren, moral decay, lack of integrity of the ...... these are not far away from us, some have even gone through, I hope A Yuan to do this article cries awaken the conscience of the people, do not expect all but one is the success of this article. Si Mu Wu Ding, a piece of bronze, resurrected in Yin Ruins of Anyang in 1939 is the masterpiece of Shang Yin.
Flow of wine and wine-soaked bronze on bronze sword. There are two words in the dictionary of the Chinese culture has always been full of vitality and charm, kept interest rates like the two red heart beating with blood, tears, full of pride and sprinkle cool, that is, flash Chan infinite Bronze Sword of the charm and vibrant wine. Wine euphoric snow of the Northeast, northwest wind, Baozhan the southern lingering words of love and blood of hot bosom of the North, from generation to generation into that boundless Dukang yard experience. Went Baisheng Sheng them go, already have rampage force the blue veins, transparent and gentle wine into the hands of burnished bright bronze sword. It weighs up to 875 kilograms, the world’s largest ancientbronze. Bronze sword, wearing a thick history of a semi-permeable, the rest of the sheets of paper floating the coldness bright bronze Jianfeng full blast swept a write with a flick of the word.
From the wine inside the outflow of the mighty tragic, desolate, lonely, lonely after struggling and lifts the bronze swords, bronze swords ever after can not live without the mantle and the closest bosom friend. The wine is flowing in the bronze swords, bronze swords in the wine and dancing, when the bronze sword with wine mixed with wine to its charm and magic to melt the bronze sword. Melted bronze sword of wine to another without stopping along the bronze Jianhen dance cooing flow of unknown cast does not change history. The decorations on bronze are beautiful-minded and dignified, of which the dragon and taotie motifs in possession of a primitive force. Below the ink of history, a bronze sword deep stab the traces of the plume, straight and curved rough and delicate, a testament to The Cloud and monthly. Wine freeze where brewing, evolved into a blood coagulation.
Fourth, the article on the order of arrangement of the two suspense are intertwined, patchwork, to tempt the appetite, provide a good example is the fuss about. In short, the whole article seems bizarre, away from our more distant, but which pointed out that the social reality of the existence of, for example: Kao Bo, PubMed encountered unspoken rules; university employment mechanism, there is a big loophole, so that some people take advantage of; female intellectuals insufficient attention to long-term drawbacks of education system, creating numerous moral and can not be both "abnormal talent"; social atmosphere of the vulgar faith barren, moral decay, lack of integrity of the ...... these are not far away from us, some have even gone through, I hope A Yuan to do this article cries awaken the conscience of the people, do not expect all but one is the success of this article. Si Mu Wu Ding, a piece of bronze, resurrected in Yin Ruins of Anyang in 1939 is the masterpiece of Shang Yin.
Flow of wine and wine-soaked bronze on bronze sword. There are two words in the dictionary of the Chinese culture has always been full of vitality and charm, kept interest rates like the two red heart beating with blood, tears, full of pride and sprinkle cool, that is, flash Chan infinite Bronze Sword of the charm and vibrant wine. Wine euphoric snow of the Northeast, northwest wind, Baozhan the southern lingering words of love and blood of hot bosom of the North, from generation to generation into that boundless Dukang yard experience. Went Baisheng Sheng them go, already have rampage force the blue veins, transparent and gentle wine into the hands of burnished bright bronze sword. It weighs up to 875 kilograms, the world’s largest ancientbronze. Bronze sword, wearing a thick history of a semi-permeable, the rest of the sheets of paper floating the coldness bright bronze Jianfeng full blast swept a write with a flick of the word.
From the wine inside the outflow of the mighty tragic, desolate, lonely, lonely after struggling and lifts the bronze swords, bronze swords ever after can not live without the mantle and the closest bosom friend. The wine is flowing in the bronze swords, bronze swords in the wine and dancing, when the bronze sword with wine mixed with wine to its charm and magic to melt the bronze sword. Melted bronze sword of wine to another without stopping along the bronze Jianhen dance cooing flow of unknown cast does not change history. The decorations on bronze are beautiful-minded and dignified, of which the dragon and taotie motifs in possession of a primitive force. Below the ink of history, a bronze sword deep stab the traces of the plume, straight and curved rough and delicate, a testament to The Cloud and monthly. Wine freeze where brewing, evolved into a blood coagulation.
Monday, May 7, 2012
The Right Way to Decorate the bronze
Typing tooling design ideas, derived from the shape of the legal system range. In order to achieve the purpose of the casting, the various parts of an objects type is divided into sections of molding system range or sub-cast assembled into the entire device. Providers of early there typing stacked casting process, the Western Zhou took part in casting assembly process, the Spring and Autumn and Warring States took part in embedded Fan technology, all of which are to solve the one-time system Fan can not achieve the objective. The whole lifetime of Song, ups and downs, was closely intertwined with the bronze. Spring and Autumn Period, the Bronze parting molding share of the finest and share up to the stage. Since the sub-casting is used, there must be cast otherwise difficult to achieve the purpose and effect of the casting. Seen in this light, the parting molding of the various parts of the Warring States bronze sword, molded. Fan, processing casting, such technology with the times are synchronized.
Fan casting process design ideas in the Spring and Autumn, a direct impact on the process of cast bronze sword. Warring States bronze sword with such a complex production process, which is the process of design thinking dictates. Therefore, the research of the casting process of the Warring States bronze sword, should be the same as with the research of other bronze, must stand to look at problems in the mainstream trunk of the Bronze Age Molding technology development, each historical period, there will be the mainstream technology of its time products, are not far from the mainstream process. He had to reluctantly part with the bronze. Therefore, in the sub-cast design ideas did not meet the Spring and Autumn so the depth of the Western Zhou Dynasty, it is impossible for the casting of the bronze swords of the Warring States period of this structure.
If you do not consider the general process was only to study a single case of casting technology, it is easy from the era, was fooled by the illusion of the bronze surface. Apart from above the casting technology has many issues unclear, there are decoration technology I do not know why. More than 8 A bronze sword decoration technology, have cast lines and the cast made after the pattern summed up in two kinds. Pattern cast in the mold surface or the range of surface pattern, such as the tiger on the Bashu bronze sword, that is engraved in the mold on the dimples turn Fan Shihu pattern with the formation of Au decoration in the range surface into a convex pattern, casting. Edge Check Yue Gou bronze sword has two production process, a casting pattern, and a hand-drawn cast ornamentation. Out of the ding, he was filled with fiery anger and vowed to make honor and power for the purpose of recapturing the bronze.
Casting pattern is engraved in the mold on the concave pattern may also be embossed in the range of the surface into mud paste, both can be cast out of the groove edge Check, Goujian bronze sword that belong to this category. Accomplished both the fame and success and recovered the bronze, he was satisfied yet the official career stopped. Decoration, painted in a cast after the completion of the casting of a substance to form a color contrast decoration law applied in the surface of the bronze swords. Figure 17 for the two decorated bronze sword local, on the left Goujian bronze sword, the right decoration Anqing Museum Warring States bronze sword. The red arrow at the Yue Gou bronze sword decoration at the end of the groove, to see kind of this cast groove depth of about 1mm. Due to the contrast of the colors within these grooves on both sides of the bronze sword serrated slotted head.
Fan casting process design ideas in the Spring and Autumn, a direct impact on the process of cast bronze sword. Warring States bronze sword with such a complex production process, which is the process of design thinking dictates. Therefore, the research of the casting process of the Warring States bronze sword, should be the same as with the research of other bronze, must stand to look at problems in the mainstream trunk of the Bronze Age Molding technology development, each historical period, there will be the mainstream technology of its time products, are not far from the mainstream process. He had to reluctantly part with the bronze. Therefore, in the sub-cast design ideas did not meet the Spring and Autumn so the depth of the Western Zhou Dynasty, it is impossible for the casting of the bronze swords of the Warring States period of this structure.
If you do not consider the general process was only to study a single case of casting technology, it is easy from the era, was fooled by the illusion of the bronze surface. Apart from above the casting technology has many issues unclear, there are decoration technology I do not know why. More than 8 A bronze sword decoration technology, have cast lines and the cast made after the pattern summed up in two kinds. Pattern cast in the mold surface or the range of surface pattern, such as the tiger on the Bashu bronze sword, that is engraved in the mold on the dimples turn Fan Shihu pattern with the formation of Au decoration in the range surface into a convex pattern, casting. Edge Check Yue Gou bronze sword has two production process, a casting pattern, and a hand-drawn cast ornamentation. Out of the ding, he was filled with fiery anger and vowed to make honor and power for the purpose of recapturing the bronze.
Casting pattern is engraved in the mold on the concave pattern may also be embossed in the range of the surface into mud paste, both can be cast out of the groove edge Check, Goujian bronze sword that belong to this category. Accomplished both the fame and success and recovered the bronze, he was satisfied yet the official career stopped. Decoration, painted in a cast after the completion of the casting of a substance to form a color contrast decoration law applied in the surface of the bronze swords. Figure 17 for the two decorated bronze sword local, on the left Goujian bronze sword, the right decoration Anqing Museum Warring States bronze sword. The red arrow at the Yue Gou bronze sword decoration at the end of the groove, to see kind of this cast groove depth of about 1mm. Due to the contrast of the colors within these grooves on both sides of the bronze sword serrated slotted head.
Saturday, May 5, 2012
Talking about the Natural Feature of the bronze
In recent years, Bai Ku Yao ecological museum "Nandan organization near the village young people to participate in the bronze drum culture training, interviews with elderly records bronze drum culture legends and history, recorded bronze bulging and dance, the implementation of the bronze drum cultural memory works. In addition, the establishment of the Tonggu art with a teaching classes in 10 primary schools, the proposed establishment of the 40 bronze drum art learning, the Museum of the. Seen from the geography and the characteristics of the bronze, the three swords are left behind by the army of Qin who once went on an expedition here. The Gui Northwest also carried out the bronze drum casting trials, in Donglan made for Majiang bronze drums available for private use. female, Guiping Hechi politics and law lecturer, master. The Yizhou 546,300. Fund Guangxi college humanities focus on building research base funded projects (Gui teaching and research the Hechi research Foundation 162 "heritage" 9 (d development inadequate protection of heritage still exist) knowing one of the bronze drum, part of the bronze drum outflow.
With the deepening of tourism development, the name of the degree of "worth" continues to increase. In the temptation of material interests, some people were blinded by, sell Zu Zhuanqing Tonggu even take the risk of burglary in turn resold, resulting in decrease in the number of bronze drums of Northwest. Second, a number of bronze drums are different degrees of damage. Tourism activities in the high frequency of use of the bronze drum, after knocking Wan and old drum hit, will inevitably lead to depression and even cracks, badly damaged. In addition, in Xunwu, Long Nan, Gan County, Nankang, Dingnan have all found some bronze weapons. Hechi Cultural Relics Station bronze drum surface 87 of the 35 villages of the six townships in East Lan, Dahua May 2000 sample survey found that only 22 surface intact, 25.29%; accounted for 65 face varying degrees of damage, 74.71% .
Which seriously damaged, 9 surface accounted for entirely can not be used, accounting for 10.34% of the total. 2000, taken from Donglan Yizhou participate with 150 bronze drums, bronze the Gushan song Arts Festival, there are 66 face varying degrees of damage. "Mission accomplished" new drum "featuring heavy responsibility but hope not, bronze drum casting technology has been lost, and the side surface of the drum has to" People can not help but sigh: Over time, after decades, copper drum disappeared in the civil, associated with the customs and culture vanished. In order to attract tour commercialization of the bronze drum culture the vulgarization phenomenon is worrying. Why have exactly the bronze weapons of Qin been left in Jiangxi? For example, the customer, some area regardless of local or without culture, bronze drums hard to play cards in the scenic area, "demonstrating" the text on the bronze drums, chaotic pendulum a bronze drum trouble.
Some attractions are free to concentrate in order to centralize, adapt, even deceitful, which undermined the original ecology, and so on. The soldiers had not taken off the bronze and laid down the crossbows for three years so that they were almost out of provisions. Facing a crisis of the cultural heritage of the four, bronze drum. External thought and the impact of northwest Guangxi some young people believe that their own nation is very backward, ashamed to talk about national culture, little is known about the bronze drum culture, indifferent, let alone active learning, on Tonggu cultural heritage is extremely disadvantage. Guangxi local exhibitions, production of bronze drum sculpture and crafts, cultural exchanges, vigorously Xuanzhuan Qing bronze drum culture, to increase its influence and visibility, and enhance people voluntarily protect heritage again, the bronze drum culture concentration of ethnic minorities of southern China and the East and awareness.
With the deepening of tourism development, the name of the degree of "worth" continues to increase. In the temptation of material interests, some people were blinded by, sell Zu Zhuanqing Tonggu even take the risk of burglary in turn resold, resulting in decrease in the number of bronze drums of Northwest. Second, a number of bronze drums are different degrees of damage. Tourism activities in the high frequency of use of the bronze drum, after knocking Wan and old drum hit, will inevitably lead to depression and even cracks, badly damaged. In addition, in Xunwu, Long Nan, Gan County, Nankang, Dingnan have all found some bronze weapons. Hechi Cultural Relics Station bronze drum surface 87 of the 35 villages of the six townships in East Lan, Dahua May 2000 sample survey found that only 22 surface intact, 25.29%; accounted for 65 face varying degrees of damage, 74.71% .
Which seriously damaged, 9 surface accounted for entirely can not be used, accounting for 10.34% of the total. 2000, taken from Donglan Yizhou participate with 150 bronze drums, bronze the Gushan song Arts Festival, there are 66 face varying degrees of damage. "Mission accomplished" new drum "featuring heavy responsibility but hope not, bronze drum casting technology has been lost, and the side surface of the drum has to" People can not help but sigh: Over time, after decades, copper drum disappeared in the civil, associated with the customs and culture vanished. In order to attract tour commercialization of the bronze drum culture the vulgarization phenomenon is worrying. Why have exactly the bronze weapons of Qin been left in Jiangxi? For example, the customer, some area regardless of local or without culture, bronze drums hard to play cards in the scenic area, "demonstrating" the text on the bronze drums, chaotic pendulum a bronze drum trouble.
Some attractions are free to concentrate in order to centralize, adapt, even deceitful, which undermined the original ecology, and so on. The soldiers had not taken off the bronze and laid down the crossbows for three years so that they were almost out of provisions. Facing a crisis of the cultural heritage of the four, bronze drum. External thought and the impact of northwest Guangxi some young people believe that their own nation is very backward, ashamed to talk about national culture, little is known about the bronze drum culture, indifferent, let alone active learning, on Tonggu cultural heritage is extremely disadvantage. Guangxi local exhibitions, production of bronze drum sculpture and crafts, cultural exchanges, vigorously Xuanzhuan Qing bronze drum culture, to increase its influence and visibility, and enhance people voluntarily protect heritage again, the bronze drum culture concentration of ethnic minorities of southern China and the East and awareness.
Friday, May 4, 2012
Encourage the Supports towards the bronze
The end of 2003, the red water river in Guangxi Domain bronze drum art projects have been approved as one of the "Chinese ethnic folk culture protection project in the first 10 pilot projects. 2006, northwest Guangxi Red River Basin Zhuang "Drum practices" by the State Council announced the first batch of national intangible cultural heritage. In the handle of the bronze have two round hoops which are wrapped with silk and easy to grip. 2009, bronze drums customs "was listed as the Ministry of Culture declared the United Nations Human Intangible recommended projects; northwest Guangxi Donglan cultural heritage list bronze drum culture of security" held intact by the Ministry of Culture named "Chinese folk culture and art the town. " In 2010, northwest Guangxi Zhuang bronze drum casting skill is listed as the third installment of the regional level intangible cultural heritage projects.
The same time, the ecological protection zone of the bronze drum culture of northwest Guangxi, Guangxi of the first group of autonomous cultural ecological protection zone, Timbal Culture of protected areas to protect the northwest Guangxi, the proposed non-material cultural heritage, ecological protection Village 35. There are also traces left on blade and the body of the bronze when fighting. (two develop publicity) to improve the bronze drum culture of visibility and influence in northwest Guangxi Nandan First, build the bronze drum culture exhibition hall area the. 2004, the county Tahu built Bai Ku Yao ecological museum "This is the first Yao Health, State Museum, Guangxi's first eco-museum, the museum displays include bronze drums.
In addition, the northwest Guangxi also established a Donglan Zhou Yue Tuen culture, including the Bai Ku Yao culture. Nandan County, very down to Tuen, the bridge on Tuen, of Figure Tuen bronze drum art ecological protection of the village, the construction of the development of thematic festival tourism. The other bronze is 40cm long and the round stem and lower part are both well preserved. The Gui Northwest record jinchengjiang urban Bronze Drum Square. Do the "bronze of Gushan Song Arts Festival after the 11th of carefully crafted, has become one of the Guangxi famous" three ". Donglan by virtue of its cultural resources of the bronze drum, is organizing the Cultural Tourism Festival in Donglan 2010 bronze drum, the development of the Zhuang bronze drum customs of an ethnic culture.
Third, the bronze drum culture and tourism resources portfolio Folk Culture and Tourism Festival in Bai Ku Yao and Yao Zhu Festival and Zhuang the ant Shui section development. , Playing the bronze drum, jump bronze encouraged by all become indispensable. Local archaeologists have don meticulous and careful survey to the places where the bronze swords were discovered. Another example is the 2008 Paris, France "Colorful China" national Heritage Month, 2010 Beijing and Guangxi Hechi hometown of Third Sister Liu, the world's longevity and Culture Week, the 2010 Shanghai World Expo "Guangxi Week" activities, has a northwest Guangxi bronze drum culture a dazzling display.
Product development of the bronze drum culture and achieved certain results. June 2010, northwest Guangxi sending Zhuang Autonomous bronze drum series "China Tourism Product Competition", from the country to participate in more than 1800 entries in column 54, won a bronze medal. (three studies with a teaching) attach importance to the Bronze Drum Cultural Heritage in 1987, Gui Northwest Song and Dance Ensemble had been successfully developed 18 surface of a large fixed-tone bronze drums, the surface alt bronze drum and 18 surface micro-tuning bronze drum, " 24 to participate in the most "China Art Festival" in China as well as to visit France and other performances, to get a higher rating, micro-tuning bronze drum was also sent to participate in the Exhibition of 15 4 anniversary of the founding. They found no evidence of tombs, so the bronze dragon are excluded from the possibility.
The same time, the ecological protection zone of the bronze drum culture of northwest Guangxi, Guangxi of the first group of autonomous cultural ecological protection zone, Timbal Culture of protected areas to protect the northwest Guangxi, the proposed non-material cultural heritage, ecological protection Village 35. There are also traces left on blade and the body of the bronze when fighting. (two develop publicity) to improve the bronze drum culture of visibility and influence in northwest Guangxi Nandan First, build the bronze drum culture exhibition hall area the. 2004, the county Tahu built Bai Ku Yao ecological museum "This is the first Yao Health, State Museum, Guangxi's first eco-museum, the museum displays include bronze drums.
In addition, the northwest Guangxi also established a Donglan Zhou Yue Tuen culture, including the Bai Ku Yao culture. Nandan County, very down to Tuen, the bridge on Tuen, of Figure Tuen bronze drum art ecological protection of the village, the construction of the development of thematic festival tourism. The other bronze is 40cm long and the round stem and lower part are both well preserved. The Gui Northwest record jinchengjiang urban Bronze Drum Square. Do the "bronze of Gushan Song Arts Festival after the 11th of carefully crafted, has become one of the Guangxi famous" three ". Donglan by virtue of its cultural resources of the bronze drum, is organizing the Cultural Tourism Festival in Donglan 2010 bronze drum, the development of the Zhuang bronze drum customs of an ethnic culture.
Third, the bronze drum culture and tourism resources portfolio Folk Culture and Tourism Festival in Bai Ku Yao and Yao Zhu Festival and Zhuang the ant Shui section development. , Playing the bronze drum, jump bronze encouraged by all become indispensable. Local archaeologists have don meticulous and careful survey to the places where the bronze swords were discovered. Another example is the 2008 Paris, France "Colorful China" national Heritage Month, 2010 Beijing and Guangxi Hechi hometown of Third Sister Liu, the world's longevity and Culture Week, the 2010 Shanghai World Expo "Guangxi Week" activities, has a northwest Guangxi bronze drum culture a dazzling display.
Product development of the bronze drum culture and achieved certain results. June 2010, northwest Guangxi sending Zhuang Autonomous bronze drum series "China Tourism Product Competition", from the country to participate in more than 1800 entries in column 54, won a bronze medal. (three studies with a teaching) attach importance to the Bronze Drum Cultural Heritage in 1987, Gui Northwest Song and Dance Ensemble had been successfully developed 18 surface of a large fixed-tone bronze drums, the surface alt bronze drum and 18 surface micro-tuning bronze drum, " 24 to participate in the most "China Art Festival" in China as well as to visit France and other performances, to get a higher rating, micro-tuning bronze drum was also sent to participate in the Exhibition of 15 4 anniversary of the founding. They found no evidence of tombs, so the bronze dragon are excluded from the possibility.
Thursday, May 3, 2012
Illustrate the Possiblity of the bronze
The same Stone Fan mirror each casting --- Tao Fan mirror and stone Fan mirror external cast technical characteristics made the technical features to be examined. the late Shang Dynasty bronze mirror unearthed two mirror Fan cast Anyang BC 12 to the 13th century pieces of the performance of their respective casting technical features combined with its technical features cast off with the local simulation results, can be considered: his bronze in patterns distinctly different patterns of local bronze casting mining capacity, Tao Fan mirror a variety of patterns, while the stone with Tao Fan technology. Fan mirror patterns on the ruins of Yin Fu Hao Tomb unearthed a variety of geometric patterns. Does the alteration of the national bronzeneed to have some procedures?
Bronze mirror in the performance of hand, the diameter of the vein pattern mirror (M:) 1,215,786 France, Tao Fan mirror the performance of practices can be line-style, flat cm, mirror edge decoration week milk nail pattern, the main grain District geometric surface less to type, relief type, while the pattern of the veins of stone Fan mirror the performance of lines (left), and its vein approach is primarily lines of type; the whole effect, Tao Fan mirror pattern with the Dandong ZHAOJIAPUZI, Ji Lin Jian Pandaoling generally seems fine, a clear pattern, while the stone Fan two-button geometric patterns mirror the patterns of multi-mirror generally remarkable sarcophagus tomb unearthed bronze mirror left relative to the first two Figure 9 Qijia culture Qinghai Ga Ma Taiwan unearthed right Linxia unearthed? In archaeological circle, there are two channels to name the bronze.
Concentric pattern mirror (M 5:) 111 845 cm in diameter, the mirror back to the mirror button on the center of a circle decorated with six weeks concentric convex Xianwen, decorated radiation between Xianwen-like lines (Fig. 4210, right). The patterns of structure and its overall effect has the technical features of the stone Van mirror. Some scholars believe that the four bronze mirrors, good excavated from the tomb of Fu Hao Yin Ruins are coming from the distribution area of northern China, Department of Bronze, from another perspective, illustrates the possibility of technology from the Stone range of cast mirror. Western Zhou Dynasty bronze mirror in the Central Plains region has found that more than 10, many of whom are prime mirror. One is to call an academic seminar when the bronze is found.
A small amount of mirror for decoration, and "bronze mirror of the Western Zhou Dynasty to the early years of the obvious common feature of the Shang Dynasty bronze mirror .... in the casting process, the Shang and Zhou bronze mirror with the contemporaries of the other bronzes is very rough, 40 well-made bronze mirror is relatively rare "]. The second is to discuss publicly about the bronze by publishing articles in academic journals. Sanmenxia? (Total 168)? 72 excavated from the tomb of the Guo State cemetery in the village of Ridge 1612 Spring and Autumn the early years of double-button animal pattern bronze mirror (M 1612:), the mirror back 65 decorated with lines of a bird, a deer and tigers (Figure 11, 1), the patterns bronze patterns and the Central Plains two weeks on the occasion of different ornamentation consistent north Department of bronze and the Xiajiadian upper culture.
Mirror back tied the two mirror button, suggests that the northeastern region of China with the dual-button geometric patterns mirror the intrinsic link; combined with its technical characteristics inferred, they are also the product of Stone range of cast mirror. Northeast China found the geometric pattern of multi-button mirror, its age from the Spring and Autumn in the early years to the late Warring States period, undoubtedly belong to the Stone Fan mirror. Archaeological findings suggest that, in the Qin Dynasty so far discovered in northwest China's Gansu and Qinghai area, the North Wall Strip and the Northeast, a variety of bronze casting range, Chifeng Dongshan Tsui Tao Fan a and Qingshuihe County West Fork site Tao Fan of individual discoveries and its origin is not clear, the rest are stone Fan. After discussion, if reached a consensus, the name of the bronze would be widely adopted.
Bronze mirror in the performance of hand, the diameter of the vein pattern mirror (M:) 1,215,786 France, Tao Fan mirror the performance of practices can be line-style, flat cm, mirror edge decoration week milk nail pattern, the main grain District geometric surface less to type, relief type, while the pattern of the veins of stone Fan mirror the performance of lines (left), and its vein approach is primarily lines of type; the whole effect, Tao Fan mirror pattern with the Dandong ZHAOJIAPUZI, Ji Lin Jian Pandaoling generally seems fine, a clear pattern, while the stone Fan two-button geometric patterns mirror the patterns of multi-mirror generally remarkable sarcophagus tomb unearthed bronze mirror left relative to the first two Figure 9 Qijia culture Qinghai Ga Ma Taiwan unearthed right Linxia unearthed? In archaeological circle, there are two channels to name the bronze.
Concentric pattern mirror (M 5:) 111 845 cm in diameter, the mirror back to the mirror button on the center of a circle decorated with six weeks concentric convex Xianwen, decorated radiation between Xianwen-like lines (Fig. 4210, right). The patterns of structure and its overall effect has the technical features of the stone Van mirror. Some scholars believe that the four bronze mirrors, good excavated from the tomb of Fu Hao Yin Ruins are coming from the distribution area of northern China, Department of Bronze, from another perspective, illustrates the possibility of technology from the Stone range of cast mirror. Western Zhou Dynasty bronze mirror in the Central Plains region has found that more than 10, many of whom are prime mirror. One is to call an academic seminar when the bronze is found.
A small amount of mirror for decoration, and "bronze mirror of the Western Zhou Dynasty to the early years of the obvious common feature of the Shang Dynasty bronze mirror .... in the casting process, the Shang and Zhou bronze mirror with the contemporaries of the other bronzes is very rough, 40 well-made bronze mirror is relatively rare "]. The second is to discuss publicly about the bronze by publishing articles in academic journals. Sanmenxia? (Total 168)? 72 excavated from the tomb of the Guo State cemetery in the village of Ridge 1612 Spring and Autumn the early years of double-button animal pattern bronze mirror (M 1612:), the mirror back 65 decorated with lines of a bird, a deer and tigers (Figure 11, 1), the patterns bronze patterns and the Central Plains two weeks on the occasion of different ornamentation consistent north Department of bronze and the Xiajiadian upper culture.
Mirror back tied the two mirror button, suggests that the northeastern region of China with the dual-button geometric patterns mirror the intrinsic link; combined with its technical characteristics inferred, they are also the product of Stone range of cast mirror. Northeast China found the geometric pattern of multi-button mirror, its age from the Spring and Autumn in the early years to the late Warring States period, undoubtedly belong to the Stone Fan mirror. Archaeological findings suggest that, in the Qin Dynasty so far discovered in northwest China's Gansu and Qinghai area, the North Wall Strip and the Northeast, a variety of bronze casting range, Chifeng Dongshan Tsui Tao Fan a and Qingshuihe County West Fork site Tao Fan of individual discoveries and its origin is not clear, the rest are stone Fan. After discussion, if reached a consensus, the name of the bronze would be widely adopted.
Wednesday, May 2, 2012
Thriving Social Factors of the bronze
Tang Dynasty bronze mirror in shape, broke through the Han-style mirrors, to create a variety of reading glasses, such as sunflower mirror Linghua mirror, square Asian-shaped mirror, and so on. In addition to the traditional auspicious animals, birds, animals, portraits, inscriptions and other decorations, the pattern also increased the performance of the Marine Mammals of the Western theme of grapes pattern, playing polo pattern of performance in real life. Decoration and the overall layout of the Tang Dynasty bronze mirror, also broke the previous program specification. The decorations on the bronze embody the prevailing social trends and religious implication. The composition of bronze mirror surround, and symmetrical performance practices, but the layout is fresh and clear, smooth and gorgeous, free-spirited, especially in high-relief techniques, plenty of angry, soft and natural.
Chinese mirror, Tang Dynasty, following another peak in the Han Dynasty, exquisite craft, the numerous forms of the patterns of the rich, beyond the first generation of amazing achievements. The bronze also tells us the material and spiritual activities of the earlier human. Bronze mirror is made of copper tin alloy casting Tang Dynasty in the copper compound to increase the proportion of tin is white and the color of the copper material such as silver, made of bronze mirror green, glistening, smooth and shining mirror, a qualitative pure high spirits of the material beauty in the Tang Dynasty bronze mirror in the casting process is also quite innovative, appeared off Jinyin Ping, special arts and crafts mirror inlaid with mother, laced with gold and silver. the shape of the bronze mirror also broke the traditional circular format, creating a variety of fancy mirror, Po-phase glasses.
The Linghua mirror, eight prism, eight arc mirror, artistic mirror of the Quartet Committee angle and sessile New York handle mirror bronze mirror on the back of pattern layout is also beneficial to see ingenuity, a reversal from the mirror button to the edge of the concentric layers of the way of the layout, multi-use scatter or appropriate forms of tricks, concise and crisp, clear and smooth pattern of subject matter is varied, flowers, birds, fish and insects, strange birds and animals, myths and legends, historical stories, religion and social life, frequent international exchanges in the Tang Dynasty bronze mirror the pattern also reflects the content of this field from a side note, the Tang Dynasty, foreign culture inclusive attitude, but also to promote the prosperity of the Tang culture. The Chinese bronze has a very close relation with the social activities in many areas.
Tang Dynasty bronze mirror is prosperous because: First, in the Tang Dynasty to the formation of social habits as a gift and a gift of a bronze mirror, Tang Jing except as face to face, but also as the Jin Xianhuang on each other gifts souvenirs , or the emperor the reward Baiguan the gift. According to legend, the Tang period, set August 5th birthday of the reign. The "Chiaki section, also known as the" future gold Kam section. Moreover, the bronzeis also related to the creation of human civilization as well as cultural belief. On this day, the ministers offered Gan Loushou wine, and exquisite bronze mirror as a birthday or give each other gifts. Such activities played a role in fueling the production of bronze mirrors and flourished. This makes Tangjing to not only have practical significance, more spiritual, aesthetic and social significance of this is Tangjing thriving social factors.
Second, due to the emergence and wide application of the porcelain, bronze production increasingly fading traditional metalworking technologies focused on the production of bronze mirrors, which is its historical and technological factors. As a totem, the bronze is a natural image and more is animal image. The interaction of these factors, making the bronze mirror known as an important arts and crafts of the characteristics of the times, and formed a decorated Tang Jing, the production of elegant, colorful and unique style. Tang Jing in China's position in the history of arts and crafts can not be replaced, the following describes a few pieces of exquisite Tang Dynasty bronze mirror appreciation and analysis.
Chinese mirror, Tang Dynasty, following another peak in the Han Dynasty, exquisite craft, the numerous forms of the patterns of the rich, beyond the first generation of amazing achievements. The bronze also tells us the material and spiritual activities of the earlier human. Bronze mirror is made of copper tin alloy casting Tang Dynasty in the copper compound to increase the proportion of tin is white and the color of the copper material such as silver, made of bronze mirror green, glistening, smooth and shining mirror, a qualitative pure high spirits of the material beauty in the Tang Dynasty bronze mirror in the casting process is also quite innovative, appeared off Jinyin Ping, special arts and crafts mirror inlaid with mother, laced with gold and silver. the shape of the bronze mirror also broke the traditional circular format, creating a variety of fancy mirror, Po-phase glasses.
The Linghua mirror, eight prism, eight arc mirror, artistic mirror of the Quartet Committee angle and sessile New York handle mirror bronze mirror on the back of pattern layout is also beneficial to see ingenuity, a reversal from the mirror button to the edge of the concentric layers of the way of the layout, multi-use scatter or appropriate forms of tricks, concise and crisp, clear and smooth pattern of subject matter is varied, flowers, birds, fish and insects, strange birds and animals, myths and legends, historical stories, religion and social life, frequent international exchanges in the Tang Dynasty bronze mirror the pattern also reflects the content of this field from a side note, the Tang Dynasty, foreign culture inclusive attitude, but also to promote the prosperity of the Tang culture. The Chinese bronze has a very close relation with the social activities in many areas.
Tang Dynasty bronze mirror is prosperous because: First, in the Tang Dynasty to the formation of social habits as a gift and a gift of a bronze mirror, Tang Jing except as face to face, but also as the Jin Xianhuang on each other gifts souvenirs , or the emperor the reward Baiguan the gift. According to legend, the Tang period, set August 5th birthday of the reign. The "Chiaki section, also known as the" future gold Kam section. Moreover, the bronzeis also related to the creation of human civilization as well as cultural belief. On this day, the ministers offered Gan Loushou wine, and exquisite bronze mirror as a birthday or give each other gifts. Such activities played a role in fueling the production of bronze mirrors and flourished. This makes Tangjing to not only have practical significance, more spiritual, aesthetic and social significance of this is Tangjing thriving social factors.
Second, due to the emergence and wide application of the porcelain, bronze production increasingly fading traditional metalworking technologies focused on the production of bronze mirrors, which is its historical and technological factors. As a totem, the bronze is a natural image and more is animal image. The interaction of these factors, making the bronze mirror known as an important arts and crafts of the characteristics of the times, and formed a decorated Tang Jing, the production of elegant, colorful and unique style. Tang Jing in China's position in the history of arts and crafts can not be replaced, the following describes a few pieces of exquisite Tang Dynasty bronze mirror appreciation and analysis.
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