Bronze content from a purely ritual language extends to books about agent carrier

Tiger symbolizes to eat the enemy, the performance of its military mighty, invincible, invincible, to become a military exploits to show off. With the further excavation, they unexpectedly unearthed a group of rusty and mottled bronze sculptures. To the late Western Zhou Dynasty, the characters have rarely seen the kind of pattern as the head of health angle, animal ears, teeth Sen column, the whole body decoration ornaments full of mysterious image, and more to the image of ordinary life there. Since the enactment of the Zhou, the Shang dynasty that luxury, Ning Li gradual retreat of religious mystery, growth factors, rational, humanist ideology began to rise, people's status has improved, to show the true human primary image.

Decoration show changes characteristic of the Shang Dynasty bronze hideous, terror, deterrence, the terrible mystery in religion gradually subsided, dilute to disappear. 23 bronze weapons resurrected in this tomb accounted for nearly half the number of china bronze sculpture. At the same time, a true natural beauty of the pursuit, the pursuit of psychological comfort in the rise of aesthetic freedom, to replace the original rigid and boring, and creatively toward the humane direction. From the solemn to ethereal, from the rough to fine, from elaborate to simple, from the bizarre to plain, from the unreal to the real world of mythical secular world, which is a major expression of social progress. Third, the inscription characteristics.

Is the heyday of the Western Zhou bronze, but also the heyday of inscriptions. Inscriptions from the business end of the development of dozens of words to hundreds of words, contents of the main worship ceremony, conquest Jigong, reward tin life, the book about agents, training Patent ministers, praise the ancestors and other six categories, diction up to 497 words (Mao Gongding). There are also a number of novelty bronze sculpture. Western Zhou period, raising the level of word processing, making the inscriptions of the development has made great progress. Bronze content from a purely ritual language extends to books about agent carrier, is entrusted with the tenets of nobility and expectations.

In the art of calligraphy, the Western Zhou Dynasty Bronze calligraphy inscriptions painted Nongli really the sum, from the position of Oracle's client freed constitute a comprehensive development of the mainstream form of calligraphy. Bronze ritual as a ritual system in the general generalization led Bronze to mature quickly. Some experts believe that the chinese bronze sculpture weapons of Dayangzhou reproduce the strong military strength. When these sharp and odd-shaped bronze weapons are exhibiting, it seems like an imposing, majestic and valiant force standing right before us. A book from the early Western Zhou Dynasty Bronze just born out of the book series and still smell the form with the bones, still retains the pattern of the late Shang Dynasty, the tendency of technology, the typical fat strokes strokes still widespread, loose, non-text symbols fixed, has not yet formed in a unique aesthetic style face.

Western Zhou Dynasty in the late Bronze Bronze is the impact of gradually get rid of operators in order to seal cited as the basis of the aesthetic image, began to form their own style, decorative strokes Na fading and fat into pure lines of. Only china bronze sculpture are the solid foundation for the survival and development of a country in the Bronze Age. Gradually and pictographic fonts means exhausted, changed the structure of the early signs of slack variable and reaching a fixed uniform, take the vertical structure of potential, slender Wan-li, harmony inside, swept away the business of its aesthetic style, inscriptions and defended by a male harassing showing the rational character of muddy Mu serene, meandering lines and focus on the buckling of the structure type of qi from the cloth to be fully reflected and coordination.