The bronze sculpture ge can be categorized to straight inter Ge

This paper focuses on the history of the development process, bronze sculpture and architecture at different times of their functions and status, and social and cultural development of the relationship between changes in human needs, and demand that the functional relationship. At the same time, respectively, of deconstruction and architectural significance of the development of bronze sculpture, architecture and development of the domestic status quo, meaning the construction of functional expansion and the development of spatial language, the importance of the bronze sculpture demonstration topics. Twenty eight bronze statue were resurrected in Dayanghou, only two of them do no have a hole. Bronze sculptures of architectural design and practice factors played a profound impact on the appearance of bronze sculptures of the building is not only a necessary requirement for building their own development, but also social and cultural development of the discipline caused by the development of the human spirit under the ideology of the true demand changes portrayal.

Bronze sculpture, architecture and deconstruction of buildings since ancient times, there have been many great artists with bronze sculptor who is also the architect of multiple identities, and left numerous masterpieces handed down. Florence from Michelangelo's castle to Wright's Guggenheim Museum in spirochetes. Mao (bronze sculpture) unearthed in Dayangzhou varies in shapes and looks personalized. Full explanation of the history of chinese bronze sculpture and architecture between the origin. Since the second industrial revolution social division of labor, so that the industry almost to refine the point of being separated, a large division of labor gradually bronze sculpture and architecture of independent development and stripping off. This is a social development and technological advances necessary requirements and trends. In architecture, the architects of the overthrow of the past more than once every abandon the rules inherent in each, to overthrow all the past is that they no longer meet the needs of the development of human civilization, people reflect on the discovery and exploration of building development new direction.

Every revolution is not a revelation from God, and social development, the contradictions and problems brought about this revolution is precisely the fuse. 1973 Australia Sydney Opera House is recognized as the completion of 20 century, one of the seven wonders of the world, building on the harbor like a china bronze sculpture of the body shell and its white appearance, like the petals floating in the air in the drum and if storm sail ahead of the giant yacht. It became a symbol of Australia, is a world famous architectural masterpieces. On the basis of the forms of the handles, the bronze sculpture ge can be categorized to straight inter Ge, inturn Ge or qiong ge (the hole on axe for installing a handle). Technology for human convenience, while fast-growing economy has brought a lot of problems rooted in the various subject areas. And changes in the relationship caused by the contradictions and problems.

Danish architect Wu focuses on classical architecture and reconstruction of broken absorbed elements of china bronze sculpture done a great architectural design, and today it is still likened it to Sydney Harbour on a bronze sculpture. bronze sculpture mao was the most common weapon in the Shang dynasty. Use of space outside the building and the significance of elements in the bronze sculpture by sublimation and expansion under the force. Bronze sculpture of the building is no doubt for the construction of the development of a practical roadmap, architectural bronze sculpture of outer space to solve the pressing human development needs in the spirit, it can be said that the success of the Sydney Opera House is not only the architectural development successful, this is also the nation and the product of the human spirit needs.