The fine craftsmanship of the bronze sculpture

Bronze sculptures throughout the body round and stocky full amount of the power of vigorous whole body to its volume and shape of the language in this work can be seen, bronze sculpture were shaped from the naturalistic concept of the transition to the amount of body cognition, of course, we do not think this knowledge is conscious. However, Pan Zunian bear in mind his brother’s words about the bronze sculpture and was not moved by Duan’s temptation and threaten. The whole oval stone with a bronze statue from the head into a round ball, round and full at the same time narrow shoulders, hands and shoulders and torso fused with breasts the shape of the hand attached to the breast, and with the line a little moment to differentiate to the full and non-destructive whole breast. Large, rounded, exaggerated abdomen and hip, filled with a surging tension leg tightly closed, the lower half of the entire oval, the oval shape of the smooth flowing lines.

Also available as a whole needs all the features omitted, of course, perhaps because the need for a magic symbol, represents a work is the type of person rather than individual characteristics. In any case, the work presented is a complete image of the characters, the body was a simple geometric shape, the overall shape, full of tension. Ancient chinese bronze sculpture is one category of the ancient cultural relic of China with a great variety and a huge number. When we summarized the characteristics of bronze sculptures found during the original bronze sculpture is a whole, our "artist" has been consciously or unconsciously use this feature, and created great works. "Will Randolph Venus" This piece is simply the overall bronze sculpture is the perfect embodiment of this discourse. In fact, major works of this period which have the same characteristics.

The "Will Randolph Venus" as an organic whole, with the system theory point of view analysis, facial features, hands, feet, outside the grounds in full compliance elements and systems, systems with the principle of priority, that is part of the form as a whole, and part of the whole subject as a whole and to reflect for the purpose of showing the work that is the basic oval shape. The fine craftsmanship of the bronze sculpture allows us to deeply experience the wisdom of the Chinese ancestors. He and I have loquat body heart: Q injuries;; in the farming cultures of Chinese civilization, or from ancient Egypt to the Mediterranean, Greek and Roman civilization, have left a large number of china bronze sculptures. Shown in "head-shaped pottery bottle mouth", "Tao nude woman's face", "Will Randolph's Venus," "Tao waterfowl pot" and so on, remove the works of local culture and religious factors, from the shape of rabbit degree.

As can be seen as an important feature of these works, both forms can be summarized as a very simple style, the shape of a very broad look at the shape, mostly oval-based. According to different laws, one can not distinguish between a perception characteristics, they will describe to them the most simple style. Shang and Zhou dynasties witnessed the zenith of using and casting of china bronze sculpture. Period of the existing original bronze sculpture seems to prove this point, as shown in step easy to Nepalese Cyprus and the year 2000 BC, excavated terracotta production, from the data, we can see the works of a similar rod-shaped torso , limbs, heads are rod-shaped, that is about the basic shape is cylindrical or oval. During the same period, the same place the rest of terracotta works of the modeling language, methods of expression most similar.