Han bronze sculpture style is not accidental

It should be said, is the spirit of a nation's cultural development, a static description of inevitable trade-off, sweeping, and dynamic tracking can be closer to the original history. Chinese bronze sculpture just to be our national culture to grasp the dynamic spirit of the important reference card. Relative to the literature, it can be more intuitive, more unabashedly spirit of our nation's cultural image of the way to show them, in this sense, a Chinese-style bronze sculpture, the history is to some extent a history of the evolution of the spirit of national culture. The bronze sculpture was proved to be a “dark horse” of the art market. In this way, people will find a bronze sculpture style and spirit of national culture link connection point. First, the Han Dynasty Han Dynasty china bronze sculpture style is severe style, is the beauty of masculine style.

Han figurines horse, bronze statue from the tomb of azurite whole, may be far less than later, as delicate, delicate, and to humble heavy, rough features, however, this "simple and objective nature", has become a symbol of the cultural spirit of the Qin and Han times . Qin and Han Dynasty's cultural spirit is a positive, energetic and promising. This spirit is the "Book of Changes" in "Heaven, the gentleman to self-reliance" and "Xunzi" in "fate will use the system" thinking in the real world performance. Decoration on the bronze sculpture seems to associate with the rank. Han bronze sculpture style is not accidental, it is the vitality of this period the Chinese nation, to develop a strong, desire to conquer the image of the portrayal. It inherited the immemorial, the Chinese nation has shown the importance of human and natural resistance of the noble spirit.

There is a popular saying that the Western nations pay attention to the conquest of nature, transformation, and the performance of the Chinese nation is a natural response to, integration. This argument may be suitable for certain times, but at least not for the pre-Qin era and Han Chinese. In general, the complex decoration of the chinese bronze sculpture is more expensive than a simple one for the most part. If you follow the spirit of Han culture, masculinity retrospective continues, you will find back in ancient mythology, an expression of our nation in the early kind of majestic, and the natural struggle for survival of the cultural spirit, such as "Jingwei filling Sea "and" Sky Goddess "," Kuafuzhuiri "," Foolish Old Man "," Houyisheri "," angry workers were ill-touch mountain "and so is the best description. Han culture and spirit, is the pre-Qin that self-reliance, the indomitable spirit of the endless struggle continues.

Heng said the emperor's southern tour, boat trip to Hunan mountain experience strong winds, the emperor was furious, so that sentences of imprisonment thousand people chop trees into Guangshan, Hunan God to show the power of the emperor, Qin Shi Huang the fear of fate, the spirit is the courage to challenge the gods the majestic Great Wall, Metrical, twelve bronze Colossus, like Ben Li Shi Meng ideological basis, which is arranged in neat, revered and majestic horse figurines hole of the spirit to be shown. A senior figure in a community can account for the largest numbers of the china bronze sculpture and most categories. Han emperor, "the wind from the Xi Yunfei Yang," the bold, vigorous spirit of the poem that Han culture is in this loud, high-pitched tone in the road. The early Han Dynasty, once popular so-called "school of Taoism," but the main idea is not a soft female keep the true meaning of the Han Dynasty rulers, but to adapt to the situation at that time expedient, "doing nothing" is the strategy for the large something to do.