The bronze is very important in promoting the evolution and progress of world civilization

Mr. Lin Shaoxiong that "On the one hand a long time span, preserved the primitive society, fairly rare, even if some of the excavated relics, but also out of the prevailing social environment and lose their own 'within the meaning of'", "On the other hand, the original aesthetics is the concept of human childhood, so the inherent differences between our modern concept, we can not go to restore the true colors of the primitive concepts, not the modern knowledge structure and patterns of thought to first regulate the mindset of the people at that time experience, such a contradiction to our original culture to explore from the outset, is full of challenging and potentially dangerous. The bronze of China was inherited and developed by the Longshan period.
We can not apply their existing knowledge, can not go beyond their existing knowledge structure, so from the beginning, we will ourselves placed in the at risk ". In ruins of Yangshao and Longshan culture, impure brass and bronze have been found. Mr. Zhu Di had said: "The problem is to explain some of the symbols associated with the prototype things, but rather to explain that one looked neither doodles, it is difficult to identify any contact with the symbol and the reality of things. some symbols is extremely difficult to cable solution because we know nothing about the time the original hunting the artist's mental state, we thought they were rotating in a fantasy world, in fact, the rotation is rather for us, and later he further expression of such understanding: "Some researchers believe that many patterns have their prototypes.
 The former is a simple straight line, which is undulating curves ... the Banpo period to Miaodigou period and then the Majiayao the frog pattern and Bird, taken together, clearly there is the following and each other, followed by the evolution of context. began realistic, vivid, patterned image of diversification, and later gradually, meter, standardized, and the frogs, birds, two motif and out of this is consistent; The bronze is very important in promoting the evolution and progress of world civilization.  Mr. Zhang Pengchuan major floral decoration Miao Digou type of pottery from the Bird evolved from the early pattern of late "on the painted pottery basin symmetrical format, more comfortable and lively dynamic pattern structure, the line goes like a song hook-shaped lines and arc pattern, composed of turning back to interlaced ornamentation, a whirlwind of rhythm, stretch changing scroll pattern.
 Bird has completely into a geometric pattern, reduced by positive Bird simple triangular pattern of dots arc side, shrinking by the side of Bird simple hook feather-shaped pattern. Second, realistic or abstract deformation Yu Wen, Bird, frog pattern with totem meaning, reflect the performance of the primitive totem of beliefs and ideas. : Shi Xingbang Mr. Painted Pottery is a sign of a certain community of people, in the vast majority of occasions, as a clan totem or other signs of worship exist, "he says Majiayao culture become by Bird spiral pattern, frog pattern into the curve pattern and vertical hanging scroll pattern "these two types of geometric decoration is divided so clearly about the different clans of the tribe totem sign. Museums and galleries around the world, without exceptions, take the collection of Chinese bronze as a significant vessel.