The second is the emergence of new patterns of the bronze

The first is the time to inherit the fusion. Decorative bronze patterns of development is constantly breaking down and get rid of both before the traditional development, but it must be from one stage to another stage of progress, including many of the transition process, such as decorative bronzes of the Zhou Dynasty bronze patterns The main decorative bronze patterns: zigzag pattern. This bronze demonstrates that the old caste system and the collapse of the ruling order.  It is to break the Shang-based characteristics of a straight line, to break the symmetry of the format, the general composition of the S-shaped, but it is not completely get rid of the embryonic form of the line, thus forming a straight in the round, round in well-characterized .
Another example is the most widely used curly grass decorative patterns in the Tang Dynasty, as early as already exist in the Han Dynasty decorative Six is also common in the stone carvings of the trim part, but mostly simple, the format of three wavy organization and breakdown of leaf on both sides. Curly grass is more complicated to the Tang Dynasty China and the United States full leaf curl, vein rotation with a strong vitality and dynamic. The second is the emergence of new patterns of the bronze.  They not only from the time finishing integration, but also in court with civil, is the extensive integration of learning from each other. Another is the integration of the influence of other cultures. In this integration process, with foreign cultures and alien culture in two ways.
 Foreign culture, including the introduction of religion, the rulers of the Six Dynasties use of religion to intoxicate the people, so the rise of Buddhism. The attributes of the slaveholders is disappearing while the bronze artifacts of daily life gradually increased.  In decorative bronzes patterns, often reflect the strong religious overtones, and some religious services. Buddhism's popularity to promote and expand exchanges with foreign countries, India seen from the patterns of decorative bronze content associated form of decorative bronze patterns requires the unity of beauty and auspicious is the characteristics of the decorative arts in China. As early as the Warring States period costumes bronze patterns of subject matter, it has a certain symbolic meaning, dragon and phoenix was the most popular meaning Palace Tingchang Long a symbol of happy marriage.
Crafts by Ji, gradually turned to practical pattern ceremony, decorated on the basis of inheritance, trying to innovation, technical level is higher than ever before. Obviously, the design concept of the feudal society of decorative patterns, then in the traditional worship of God to the private sector, civil and royal family of large shunt, but they advocate a spirit of pragmatism. The starkness of the Qin and Han ornamentation, composition is compact, the available quality, tight, dynamic, taste four words summed up. The bronze ritual had major changes as well. Six ornamentation deck the Han Kai Sui and Tang is an important transitional period. During this period, see the historical environment of the art style of decoration to reflect on the real goods of human life and ritual shape, and its essence is a microcosm of a culture and the arts and economic development from the style of decorative bronze patterns.